Triple J have asked people to vote for their all time favourite songs, so that they can compose a Hottest 100 Of All Time, yet again. Now, despite Triple J not being the repository it once was, and acknowledging that the whole shebang may be a rip off, here's my list (in no particular order):
Bob Dylan – Masters Of War. The relentless rhythm allows the gravity of the powerful and earnest lyric to shine through. It’s structure is deceptively simple, like most of Bob’s work.
Stevie Wonder – Higher Ground. Gets the rump shakin like nothing else has ever been able to. That riff! Shit…
Beach Boys – God Only Knows. Hopeless romanticism all wrapped up just under 3 minutes.
You Am I – Berlin Chair. This shit was seriously underrated in its time as the Oz music public grappled with a credibility crisis and couldn’t quite grasp that a home-grown talent could come out with something this great. This was one of my first Triple J discoveries in the days just prior to nationalisation of the public broadcaster. I was doing work experience at the local ABC studio during the semester at high school, and the techies taught me how to patch 2JJJ up from Sydney. I felt dramatically cutting edge knowing about this band.
Pearl Jam – Alive. The iconic riff was first heard on a rare late Friday night rage session, as I shared a small 2-bedroom unit in country NSW with my Mum and little sis. Before, I was going through a serious metal phase, so anything with a melody or any form of pop sensibility was immediately discarded. The turbulent family life, however, also left me pre-disposed to moments of dramatic teenage angst and this song, band, movement and style fitting me like a glove. It immediately seeped into my bloodstream and has fuelled a life-long love affair and symbiosis with the band.
Smashing Pumpkins – Bullet with Butterfly Wings. Despite all my rage, I’m still just a rat in a cage. The lyric and pulsating riff seemed to sum up the teenaged, Gen-X angst a whole lot more sensibly than talk of mulattos and mosquitos.
Joy Division – Transmission. This song conveyed the urgency and pioneering spirit of Manchester at the brink of Madchester.
Natalie Merchant – Carnival. This is a wonderful lyrical life journey from the perspective of a person deeply unaffected by the day-to-day drama of it all. You also have to love a song which features lightly-touched bongo as a musical focus.
The Go Betweens – Cattle and Cane. This song has the ability to make you homesick, even if you’re still there.
Augie March – Sunset Studies. A gorgeous maudlin feel with an air of desperate hope. Well all by and by and all through and through, this is the only thing that comes back to you, how you banged her on a cannon in a World War Two park in Gundagai. Such a superb Australian lyric.
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